The typeface shown in the present­a­tion appears to be genu­inely ori­ginal and un­ique, without any traces of usage beyond the doc­u­mented present­a­tion. It is obvi­ously con­cep­tu­ally informed by and form­ally related to two well-known and influ­en­tial Swiss grot­esques, which had both been published some 15 years ear­lier, in 1957.